The C.G. Conn New Wonder Series II saxophone, produced from approximately 1924 to 1930, was Conn’s flagship professional model during a formative period in American saxophone manufacturing. Often referred to informally as the “Chu Berry” model—after jazz saxophonist Leon “Chu” Berry, who famously played a Conn tenor from this series—the New Wonder II introduced several important design refinements over the earlier New Wonder Series I and helped solidify Conn’s reputation as a leading saxophone maker in the U.S. and internationally.
The New Wonder II featured a larger bore design and improved keywork ergonomics compared to its predecessor. Mechanically, one of its hallmark features was the use of rolled tone holes—tone holes with flared edges formed from the instrument’s body material rather than being soldered on. This design improved pad seating, extended pad life, and slightly affected tone and response. The saxophone also featured split bell keys (low B and Bb keys on opposite sides of the bell), soldered-on key guards, and a non-underslung octave mechanism, which would appear later in Conn’s 10M and 6M models.
Visually, the New Wonder II is notable for its detailed hand engraving, which was often elaborate and included floral or geometric patterns. Higher-end models featured silver plating with gold-washed bells or full gold plating, though lacquered and bare brass finishes were also available. Many instruments from this period included mother-of-pearl key touches and decorative touches such as ornate neck brace designs and a metal badge soldered to the rear of the body on altos and tenors.
Tonally, the New Wonder Series II saxophones are known for their bold, full-bodied sound, with a broad tonal palette that appealed especially to jazz and dance band musicians. The horns produced a warm, rich low end and had strong projection, characteristics that made them well-suited to large ensemble performance. While the keywork can feel less modern than post-1930s instruments, many players find the New Wonder II responsive and musically flexible once properly regulated.
Today, the Conn New Wonder Series II remains one of the most sought-after vintage American saxophones, especially in alto and tenor form. Collectors and players prize it for its historical value, tonal characteristics, and build quality. While not as ergonomic as later models like the Conn 10M, the New Wonder II offers a playing experience that reflects the craftsmanship and musical sensibilities of the 1920s—a period when the saxophone was still being actively shaped by both classical and emerging jazz traditions.
C.G. Conn New Wonder Series II
The C.G. Conn New Wonder Series II saxophone, produced from approximately 1924 to 1930, was Conn’s flagship professional model during a formative period in American saxophone manufacturing. Often referred to informally as the “Chu Berry” model—after jazz saxophonist Leon “Chu” Berry, who famously played a Conn tenor from this series—the New Wonder II introduced several important design refinements over the earlier New Wonder Series I and helped solidify Conn’s reputation as a leading saxophone maker in the U.S. and internationally.
The New Wonder II featured a larger bore design and improved keywork ergonomics compared to its predecessor. Mechanically, one of its hallmark features was the use of rolled tone holes—tone holes with flared edges formed from the instrument’s body material rather than being soldered on. This design improved pad seating, extended pad life, and slightly affected tone and response. The saxophone also featured split bell keys (low B and Bb keys on opposite sides of the bell), soldered-on key guards, and a non-underslung octave mechanism, which would appear later in Conn’s 10M and 6M models.
Visually, the New Wonder II is notable for its detailed hand engraving, which was often elaborate and included floral or geometric patterns. Higher-end models featured silver plating with gold-washed bells or full gold plating, though lacquered and bare brass finishes were also available. Many instruments from this period included mother-of-pearl key touches and decorative touches such as ornate neck brace designs and a metal badge soldered to the rear of the body on altos and tenors.
Tonally, the New Wonder Series II saxophones are known for their bold, full-bodied sound, with a broad tonal palette that appealed especially to jazz and dance band musicians. The horns produced a warm, rich low end and had strong projection, characteristics that made them well-suited to large ensemble performance. While the keywork can feel less modern than post-1930s instruments, many players find the New Wonder II responsive and musically flexible once properly regulated.
Today, the Conn New Wonder Series II remains one of the most sought-after vintage American saxophones, especially in alto and tenor form. Collectors and players prize it for its historical value, tonal characteristics, and build quality. While not as ergonomic as later models like the Conn 10M, the New Wonder II offers a playing experience that reflects the craftsmanship and musical sensibilities of the 1920s—a period when the saxophone was still being actively shaped by both classical and emerging jazz traditions.
